We're happy to report that as of 2019 the good old noise rock is still alive and kicking. Exhibit A came in the form of Psychic Graveyard's Loud as Laughter and now exhibit B is here - a hair-raising suite of three tracks from Brooklyn's Child Abuse. Where LaL resembled a cross between Throbbing Gristle…
While riot grrl movement is primarily associated with the 90s, its influence is still very much palpable today. Case in point - Teeth Are Not Bones, latest release from Boston quartet Leopard Print Taser. Anyone that grew up on a diet of Huggy Bear, Babes in Toyland, Hole et al will get a massive kick out…
Few subjects get as much (well-deserved) skewering from creatives as corporate culture. From filmmakers to metal musicians, there was seemingly no stone left unturned in attempts to grapple with weirdness that is life in the office. And the wave continues unabated to this day - Exhibit A being stapler-centric video for Send Me by No…
If you're one of those unique individuals that find Chris Cunningham's work (Rubber Johnny, in particular) entertaining/funny rather than disturbing, you'll find plenty to love about this one! Disturbing noises (the result of a collaboration between Irish projects Magnetize and The Last Sound) meet equally disturbing vision of one Sean Mulligan. Think much bleaker version…
While their name and their song titles might suggest a po-faced hardcore/punk act, Terminal Mind's music says otherwise - the songs on I Want to Die Young EP, the Texan act's sole proof of existence up until now, are catchy, upbeat and proudly wear an influence of funk on their collective sleeve (no pun…
Stepping away from his mic-destroying duties in Austin punk band Xetas, David Petro becomes Cruel Whip, a half-man/half-cyborg scoring a soundtrack to a weird future. 6 tracks of Cruel Whip's debut are filled to the brim with bone-rattling percussion as well as jarring noises and glitches of unimaginable variety. There's a dash of melody to be found…
