Going over new releases/albums that came out in May – one more time! See part 1 here, part 2 here and part 3 here.
Graham Dunning – Panopticon (Every Contact Leaves a Trace)
‘Half-Life’, all in-game sounds replaced with samples from 90s rave tracks and sample CDs.
Outstanding art and mastering by @AlexBPArt and @angelbbgrrl420 respectively.
via Seth Cooke
Wether – Heir Bud (Strategic Tape Reserve)
Don’t worry. The content of the “Heir Bud” tape isn’t as scary as this image suggests.
Vandal Moon – Black Kiss (Starfield Music)
With a sound seeded from post-punk, goth and new wave, they are shaped as much by their use of drum machines and synthesizers as much as guitars and the inevitable deep baritone vocals. – Electricity Club
via Vehlinggo
Mosquitoes – Minus Objects (Ever Never Records)
Moldy electronics and haunted gurgles. Throw them in the pile of “somewhat newer UK acts that make me think music is great” alongside Triple Negative, Still House Plants, Soft Tissue, and Guttersnipe.
Sex Swing – Type II (Rocket Recordings)
The music Sex Swing makes is something in the psych/noise/postpunk spectrum but it is pretty bleak, their is an unnerving atmosphere throughout the whole album. The thing that does it most for me is the sax in the music, the music is already very layered but with the addition of Colin Webster’s sax the music is downright scary. – Fuzzy Sun
https://twitter.com/KitesAndPylons/status/1261993697287327744
https://twitter.com/Soulscorch101/status/1262273271304728576
Tomorrow our latest 20×20 album will be released… Icosa by @rupertlally and it's quite an amazing collection
— 20×20 Project (@20x20P) May 18, 2020
https://twitter.com/burlveneer/status/1262424080898240513
https://twitter.com/NeuroNoNeuro/status/1262521489271619584
https://twitter.com/oliviadeng1/status/1262542513421914114
This new @exaquis is too good https://t.co/e0HWGmJ6fm
— ₳§ᗐM̶R̳ (@VCR_SHINIGAMI) May 19, 2020
https://twitter.com/wipeoutbeat/status/1262790907298025473
https://twitter.com/amaximus167/status/1262822494047625217
https://twitter.com/TriumCirculorum/status/1263003884689199105
Count me in. 👐 https://t.co/LCNMF4mL3l
— Polypores 🌳👽🌳 (@stephenjbuckley) May 20, 2020
‘Lament in Three Parts’ – is out today.
Thankful to @Cafeoto for this chance to respond to the current situation, especially to present the music with my dear friend and writer, Sophie @fetokaki who has written the foreword. This is a special one for me, dive in if you will! pic.twitter.com/F0YPEo8QYF
— Lucy Railton (@RailtonLucy) May 20, 2020
https://twitter.com/dalecornish/status/1263067834395103232
https://twitter.com/owtkri/status/1263070322066161664
VENXM2000 – The Future of the Past https://t.co/2ldd0C1ty4
— T2,000,000 (@T2000000000) May 20, 2020
Morning – Get on this, we're streaming 'Proto Tekno', the new album from Kooba Tercu (@KTercu) in full ahead of its release this Friday on @RocketRecording!
From METZ-esque raucous, fuzzy noise-rock to lengthy, pulsating psych journeys – tuck into this!https://t.co/59TrTUUgkC pic.twitter.com/wSdr7kdkvO
— Birthday Cake For Breakfast (@BirthdayCakeFB) May 20, 2020
via Fuzzy Sun
https://twitter.com/jaywbabcock/status/1263478649593802753
New Release!
SPGRM 002 Lucy Railton / Max Eilbacher: Forma / Metabolist Meter (Foster, Cottin, Caetani and a Fly) on Portraits GRM is now available digitally.
Physical pre-orders also open.https://t.co/zS1rCriUnc— Editions Mego (@EditionsMego) May 21, 2020
via Drew Daniel
https://twitter.com/ndaural/status/1263539148637364224
Out now: DJ ANY WAY/Spaghetti Castle
Genre: drone ambient
DJ ANY WAY and Spaghetti Castle takes you on a relaxing sojourn through four meditative drone pieces inspired by the ancient epic of collected tales found in "1001 Arabian Nights". https://t.co/AyniiZEbrJ
— Girly Girl Musik (@GirlyGirlMusik) May 21, 2020
Archie Shepp – Ocean Bridges (Redefinition Records)
The new album from Archie Shepp is extraordinary. Ocean Bridges, out today via Redefintion Records, finds the legendary sax player teaming up with his nephew, the rapper Raw Poetic, and DJ Damu the Fudgemunk, along with D.C. bass wizard Luke Stewart. The record surprises and pleases, and seems exactly the sort of thing designed to give hope during these bad times. It’s also the rarest sort of mix of genres that actually works, and doesn’t feel forced. And genres are bridged here, quite literally, and a family.
via Glenn Francis Griffith / A Pessimist is Never Disappointed
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