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More new music in our archives.


Matters – Self Oscillate (Self Released)

At the beginning of the Covid-19 lockdown we made the stems from all our recordings available for download and remixing. This album contains the results, along with a new reworked recording by Matters of the track Hannah.

Remixes by Sad Man, Limoska, Fauxhchisels and others.

Seffi Starshine – 夕暮れに咲く磁器の花 (Fireflower Foundation)

Porcelain flowers bloom at dusk and Seffi emerges from her lair to drop the third chapter in her flower series. Dark minimalistic dronework made from homegrown samples and obsolete software.

Pillars – Cavum Reimagined (Dunk!Records / A Thousand Arms)

Remixes by zakè & Slow Dancing Society, Spencer Gill (Tides of Man), Tom Morris (Her Name Is Calla) and others.

Molde Volhal – Into the Cave of Ordeals​.​.​. (Self Released)

Here’s a quite phenomenal brand new old-school black metal album from Norway.,

Nicely produced clear rawness, every instrument sounds spot on, killer melodies, great vocals – awesome/shit cover

A stunner

via meatbreak

Soulside – This Ship (Dischord Records)

This is the band’s first new music since 1989 and was recorded during a brief run of European shows in autumn of 2019 at Jamor Studio in Prague with Ondrej Jezek.

via Glenn Francis Griffith

The Gaye Device – Soft Wear (Self Released)

New ambient soundwaves for aural bathing in the form of “Soft Wear”.8 tracks of dreamy dark drifting delights.With beautiful cover photography by the talented Jenny Lyon.

Ambient Trails – An Hour Of Solace (Self Released)

With the state of the world today, I offer you an hour of solace

via Gateless Gate

Lord Juco – White Walls (Chong Wizard Records)

via Chuck’n’Lock

Growing – “The Owl’s Legacy”: Humming Amps and Broken Strings Sing: Vol. 2 (Silver Current Records)

vol 2 of our long distance recording experiments

BleekNoir – Bite Thy Pigsty (Self Released)

The Night Monitor – Perception Report 1 (Self Released)

Excellent listen

Perception Report is a new series of occasional digital instalments from The Night Monitor chronicling borderland excursions into assorted strangeness.

‘Perception Report 1’ consists of tracks which originated as a session recorded for Phantom Circuit in February 2020

via Letters From Mouse

Sea Grapes – Melatonin Dream (Spooky Tapes)

A follow-up EP to my debut album “Separation of Church & State”

songs about my personal pandemic experience

Innesti – Apperception (Self Released)

Ethereal, minimal ambient soundscapes created with field recordings, organic synthesis, fading light, and experiments in dreaming.

via Silent Season

Patricia – Maxyboy (Ghostly International)

For over a decade, Max Ravitz has been obsessively working in his home studio, crafting electronic music under various guises. His primary solo project, Patricia, has been a mainstay in New York’s DIY electronic music scene, with releases on labels such as Opal Tapes, Nona, and Ghostly’s Spectral Sound imprint.

The Beautiful Music have it going on folks!

Exploding Flowers – Stumbling Blocks

Peter Hall – There’s Something Wrong With Everyone

via WallyTBM / Chris Coleman

Computer – home model (Imploding Sounds)

Computer “home model” is two hours and 45 mins of experimental electronic noise from @ZonaZanjeros. It’s all over the place so just sit back and enjoy the long ride!

via Gargotheron

WH048: No Cover Covers vol. 7: Mister Rabbit b​/​w Wild In The Streets (WarHen Records)

Excited to welcome J. Clyde Morris to the WH fam! New LP to come in the future, but we’ve got No Cover Covers vol. 7 to tide you over. Hear JCM’s fuzzed-out takes on a traditional number (made known by Pete Seeger) & a Garland Jeffreys hit.

rootless – Docile Cobras (Flower Room)

Jeremy Hurewitz’s intuitively original, transcendental work as rootless initially crossed our path through cosmic-yet-earthbound instrumental acoustic guitar tapes on two of our favorite labels, Cabin Floor Esoterica and Aural Canyon. Sensing a kinship in sound, we connected online and linked up for a joint rootless & Starbirthed tour across the northeastern US in summer 2019. It was between soundcheck and set on the second day of our tour together that Jeremy recounted to us the fascinating details of the rootless album he worked on before his recent move from Los Angeles to New York.

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