New Music Recommendations
Jammy’s Records, 1985
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]Produced by King Jammy with the computerized “Sleng Teng” riddim. Tenor Saw was killed in a hit & run accident in 1988 at the age of 22 [/perfectpullquote] Suggested by Sean WaltersSelf Released, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]drones for consideration[/perfectpullquote]Wurlitzer Jukebox, 1996
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]AMP are Richard Walker and Karine Charff, usually joined by several others. On this album, Matt Jones (Crescent, Movietone, Flying Saucer Attack) and Matt Elliott (Third Eye Foundation, Flying Saucer Attack) appear. Very similar to FSA but more spooky, with much noise and distortion, and mantra-like spoken-word vocals by Karine Charff.Hausu Mountain, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]Evolving synth patches begin as slow-dripping textural expanses and blossom into rich beds of harmony lined with accents of fine-grain alien noise.[/perfectpullquote]In The Red, 2006 / 2015
suggested by Tony F Wilson
Bold Model, 2018
suggested by Pussyfooting
Ton Um Ton, 1981 / Cien Fuegos, 2013
Suggested by Harry the Hitmaker
Inverted Grim-Mill Recordings, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”15″]Drooping Finger aka Jonas Halsall has managed to create such a richly textured Final or Jeck-like evolving soundscape in his release Arthur’s Hell that I’m actually dumbstruck. In turns washes of white noise and in others huge roomy string pads. Buy it.[/perfectpullquote]
Suggested by Pete Haughie
Warner Bros, 2003
suggested by Methodrone
Interscope, 1993
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]Was right into these in the 90’s. This tune is very relevant now[/perfectpullquote]
Suggested by Mike Stanton
Self Released, 2016
suggested by Tim Kai
SST Records, 2016
suggested by Lorna Irvine
Beluga Music, 2019
suggested by Dead Man Radio
Off The Hip, 2013
suggested by Toni Hate
Silber Records, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]Klator makes an analog spacetronica 5 minute soundtrack for space travel & sci-fi romance. [/perfectpullquote]
LOM, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]Close to my house where I grew up was a power line that constantly buzzed and sang in the wind. This sound was my all-time companion, it became an integral part of me whether I was sitting in a garden or strolling along muddy lakes. I even heard it while falling asleep. After moving to Daugavpils, I strongly felt its absence. Deadrahedron is an attempt at calling it back, a meditation that helps me come back to the forests surrounding my house or lets me wander through a power line wherever I want. I always listen to it before sleep or when I am filled with longing.[/perfectpullquote]
Empty Records, 1989
Suggested by T2,000,000
Bad Elephant Music, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]If you want a CD before Christmas now is the time to order[/perfectpullquote]
Self Released, 2012 / Fuzz Club, 2016
Suggested by Nick Cyanide
Flying Nun, 1989/1992 / Ba Da Bing/Jagjaguwar, 2008
Suggested by Raj Patel
Silber Records, 2018
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]Glockenspiels & reverb sounds like it would be some kind of new age release, but somehow Small Life Form makes it sound aggressive & menacing, just like Christmas.[/perfectpullquote]
Cutty Shark, 2001
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”18″]B-side from The Angel is My Watermark single. Produced by Matt Talbut / Hum. Video art by Mike Soderling / Priapus Records.[/perfectpullquote]
Suggested by Jason Sebastian Russo / retsoor
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