Music Reviews 2
Get Wet + – Three
Self Released
Get Wet +’s latest EP starts with a perfect opener and my favorite track on the record, “Cop Blood.” THREE exudes the kind of punk energy that actually takes skill to pull off. This isn’t a slapdash record that was thrown together. One can hear the thought put into every track and all of the instruments shine through nicely in the mix.
I especially love the vocals on this record. It’s so rare in punk music to hear good vocals that are in tune but here they are. Get Wet + makes a great move artistically by relegating the guitar to a secondary role to bass. Too often, I hear modern punk music where everything just blends together. The mixing and mastering on THREE deserves high praise. Usually I approach new punk music with a healthy dose of skepticism but Get Wet + have managed to create an EP worth listening to.
As far as musical influences go, I can’t place any particular one for this record, though it’s an EP that instantly feels familiar. If only there were bands like Get Wet + playing the basement scene at Rutgers when I was there, I might have gone went to more shows. A highly recommended listen.
The Vardaman Ensemble – TG’s Hug Machine
Self Released
TG’s Hug Machine by The Vardaman Ensemble is a fun instrumental record that makes good use of repetitive arpeggiating keyboard riffs. Trust me, it sounds way better than it looks on paper, and guess what, it sounds more interesting here than in certain other more popular recent contexts. A review of this engaging and brief release would be incomplete without a nod to Frankie Knuckles’ classic “Your Love,” which sounds absolutely nothing like this album. The Vardaman Ensemble successfully take this dance motif and inject it into a totally new and experimental context without the music sounding dry. Not an easy task.
As the record ends it kind of veers off into acid trip territory. I’m not complaining. The band members of The Vardaman Ensemble do an awesome job of not alienating more pop-based listeners. If I have any criticism of the release, it’s that I really enjoyed the drums and would like to hear more. Very solid record.
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