I can’t help but think Paul McCartney is probably kicking himself for not thinking of composing “Poor Thing,” with its sweet harmonies and lulling melody. The piano-driven track is coupled with an unassuming bassline which allows everything else to swirl around it, just like the infrequency of guitars. It’s a difference from the opening title-track, which reeks of 90s-indie inspiration but sounds as contemporary as it can get.
 
Ghettoblaster