Read more "Recap: March 2018 (Pt. 1)"
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Featured image credit: Time and Date
Recap of all our posts (and some video playlists and guest mixes) for early March!
Big Ears 2018: A Preview – 12 Hour Drone
We’re heading to Big Ears Festival in Knoxville, TN at the end of March and in the meantime we compiled a playlist of artists performing at 12 Hour Drone
[perfectpullquote align=”full” bordertop=”false” cite=”” link=”” color=”” class=”” size=”15″]An immersive new experience featuring 19 genre-defying artists at The Standard from midnight on Saturday to noon on Sunday during the festival weekend.[/perfectpullquote] Playlist features music/visuals from Ben Shemie (Suuns), Coupler, Eli Keszler, Steve Gunn and many more!
Watch: The Two Most Dissonant Chords on the Guitar
Mini-documentary on North Carolina guitarist (and 1/2 of Ahleuchatistas) Shane Parish.
See also – Shane Parish / Ahleuchatists – Live at Hopscotch
MES/The Fall Special – Birthday Song
Collecting Fall-related writings/tweets/crosswords/playlists on what would’ve been Mark E Smith’s 61st birthday.
Review – Ancient Ocean – Neró: A Collection Of Works 2010-2016
J. Brodsky reviews Nero – Field Hymns release that compiles 6 years of output from Brooklyn musician Ancient Ocean (aka John Bohannon).
See also – Ancient Ocean – Live at Deep Thoughts JP
New Names to Learn – Tender Mercy
50thirdand3rd writer Noisecrumbs compared the music of Louisville’s Tender Mercy (aka Mark Kramer) “the song that plays as the inevitable tragedy unfolds at the end of a dystopian sci-fi film” and, as he also pointed out
That should’ve said ‘LOW-KEY, INDEPENDENT, sci-fi film’. Not some blockbuster shit.
— NoiseCrumbs (@NoiseCrumbs) March 9, 2018
Bandcamp page for Tender Mercy lists tags such as “post-meditative”, “astral folk” and ambient folk”, but regardless of tag names Mark’s music and live performances are experiences like no other.
Hnry Flwr Interview / Playlist
We’ve been trying to get hold of the creator of the Message (aka Brooklyn musician Hnry Flwr) for some time now and we were worried sick that we, perhaps, misunderstood or didn’t get the message.
Lo and behold, Hnry Flwr finally blessed us with answers to all our burning questions and we feel that we got a bit closer to understanding the Message. Plus, he also gave us an extensive playlist of personal favorites by the likes of Kikagaku Moyo and Andy Shauf!
See also – Hnry Flwr – Live at Deep Thoughts JP
IWD2018 Roundup: Record Labels Run by Women
A little list that grew much bigger thanks to suggestions delivered through comments and corresponding Twitter thread
New/Upcoming – March 2018: Oneida, Wire, Grouper and more!
Review – Jason Wietlispach – Oak Creek Recordings
Another review from J. Brodsky – this time taking on debut from Milwaukee musician Jason Wietlispach (released via his own imprint Soultrane). There’s also a two-song sampler of the album available on Mixcloud.
Listening Room – March 2018: Pt.1
A round of listening recommendations/suggestions from our followers
Featuring Melvins, Interbella, A Place Both Wonderful and Strange, Nurse Predator, Lord Snow, Angles 9,, Mick Karn and more!
Last, but not least there’s a mix that Petridisch made in anticipation of Big Ears! It features Jaga Jazzist, Aine O’Dwyer, Gas, Anoushka Shankar and many more!
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]]>Read more "Tommy Bell Roundup: Outtakes/Demos + Podcasts"
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Celebrating a month since the reissue of Tommy Bell by Turkish Delight!
Up first are two outtakes/demos from the album posted by Petridisch – one for Around and one for Vegetable King
Loose Cannon #254 (Nov. 6)
Also available on Mixcloud
Turkish Delight track: Grammy
Other tracks by
Curve
The Dayoffs
Spasibo
Keel Her
Shunkan
Megztos Beretes
Thee Fofico Band
Kobanes
Everything Indie Over 40 – One Week, Our World C90
Turkish Delight track: Grammy
Other tracks by
The Courtneys
The Brian Jonestown Massacre
Bailter Space
Burning Ferns
Super Furry Animals
The Waltones
Expansion of Presence (Nov. 14)
Turkish Delight track: Diviner
Other tracks by
Blushing
The Blue Hour
Stereopod
On the Wane
Change Under Death
Watch Clark
The Transmitter Down – Show #31 (Nov. 17)
Turkish Delight track: Vegetable King
Other tracks by
The Budos Band
Jessamine
Lunar Dunes
Stellarium
Gang of Four
The God Machine
Teenage Fanclub
Gabriel Saloman
Turkish Delight track: Try Harder
Other tracks by
Small Reactions
The Wolfhounds
Seafog
vicepresidente
The Luxembourg Signal
syrup.go on
Shrouded Amps
Post-Modern Team
Podcasts without Mixcloud/Soundcloud links
Manipulant
Chris Quites
Calico Club
Bufinjer
ok panda
Xixistix
April Larson
Atomic Shadow
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]]>Read more "Albums of the Year – 2016: Adventures in Dubbing"
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]]>The problem with end of year lists, apart from them appearing before the end of the year (zing), is that you inevitably miss something out. I’ve already put together a mix of some of my favourite tapes from this year (https://soundcloud.com/adventures-in-dubbing/end-of-year-mix-2016) so here’s a list of what I couldn’t squeeze in.
In no particular order we have, abstract experimentalism from M/M and Gr◯un土 and Kabamix, various shades of ambient from Dang Olsen Dream Tape, Kyle Landstra/Braeyden Jae & Amulets, pitched down wooziness via Betonkust & Palmbomen II, the dubby minimalist techno of Kritzkom and Ferro Tapes, Beatrice Dillon/Ben UFO joining the dots, APHEX TWIN.
Now what did I forget…
Dang Olsen Dream Tape – Moody Snooz (Hyle Tapes)
Kritzkom – Oscillipsea (Where To Now?)
M/M – Before We Lost Ourselves (Czaszka Rec.)
Amulets – Auras (Spring Break Tapes!)
Various Artists – Ferro 04 (Ferro Tapes)
Betonkust & Palmbomen II: Center Parcs EP (1080p)
Gr◯un土 and Kabamix – MIZUNOKUNI (Bokeh Versions)
Kyle Landstra/Braeyden Jae – Split (Geology Records)
Aphex Twin – Cheetah EP (WARP)
Beatrice Dillon/Ben UFO – 43:44 / 44:32 (Wichelroede)
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]]>Read more "2016 in Review // Favorite Albums of Z Doom (Doom Trip Records)"
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]]>The only requirements for tapes making this list are:
A) They’re tapes
B) Whether by gift, purchase, or other means, I obtained them this year.
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Mukqs – Walkthrough (Hausu Mountain)
TALsounds – Lifter+Lighter (Hausu Mountain)
MrDougDoug – SOS Forks AI REM (Hausu Mountain)
In 2016, I became a complete dweeb for the music these three people make; together or separately. Things Our Bodies Used to Have got heavy play from me all year, so when I saw that each of the act’s members had released a solo album on the same day, I copped immediately.
Hearing these releases, and joint-efforts as Good Willsmith, I can’t help but feel that these individuals have a profound sense of the music the world currently needs; and they provide accordingly.
Favorite tracks:
Mukqs – Tsundere Gunslinger III
TALSounds – Indecision
DougDoug – Lab Embryo 520
Luis Gutee and His Friends – Black Magic Glitch (Ace of Tapes)
This was given to me by a friend who knew I’d dig it — they were right. Seemingly improvised beats with, given the title, I can only assume are his friends freely playing along.
Home-dubbed with handmade j-cards, and an unlabeled Maxell C45 “Communicator Series” tape, makes this an easy pick.
Favorite track: The whole tape
Frank Zappa – Hot Rats (Bizarre / Reprise)
This was given to me by a friend who knew I’d dig it — they were right. Seemingly improvised beats with, given the title, I can only assume are his friends freely playing along.
Home-dubbed with handmade j-cards, and an unlabeled Maxell C45 “Communicator Series” tape, makes this an easy pick.
Favorite track: Has to be Willie the Pimp
Jeremy Bible vs Mousecop (Hausu Mountain)
I missed this release somehow last year, but that doesn’t matter, since it still sounds years ahead of its time. The music here grows and moves, like the sound of an ecosystem, as chaotic as it is necessary. At times, I can’t help but bob my head to the ‘invisible grooves’ here.
Favorite track: Elegy fr Baxter Stockman (compassion for the insects)
Misfits – Legacy of Brutality (Plan 9)
Another classic I’ve always wanted on CS — punk just sounds correct on tape. Some of my favorite Misfits releases are compilations, like this one, and it’s great hearing the same tracks with new overdubs. I also love how thoroughly scratched and cracked the case is, in addition to the fact that it was sold to me for 75 cents at a garage sale, where I also picked up a well-worn home-dubbed VHS of various Captain Beefheart TV performances.
Favorite track: TV Casualty
Gossimer – Close the Circle, Lay the Stones (Heavy Mess)
This is not just one of my favorite tapes obtained this year, it’s also one of the absolute best albums of 2016, and one that, sadly, seems to be getting overlooked by a lot of publications. I met Jennifer at a friend’s wedding months ago, but had no idea she made music like this. To think that an album with this kind of personality was recorded in 2016 is baffling to me, in the sense that it was created in a time where radio was dominated by acts like Chainzmokerz and Broono Marz.
Favorite track: Saturn Square
M. Sage – Needleworks (Patient Sounds)
I was checking out the recent Naps tape when someone recommended this one to me. Extremely pleased that they did, as I’ve been telling people about it for weeks. For me, this is an album I didn’t realize I was looking for, and that is often a pleasant experience.
Favorite track: Day Jaw
Invisible Path – Hermetic Dreamscapes on the Roots of our Nature (Brunch Groupe)
Full disclosure – This was given to me by M. Bailey himself, back when it came out in 2010. I misplaced it almost immediately, but never had the heart to tell him. Earlier this year it was discovered alone in a shoebox.
Primitive as all hell – these 2 untitled, side-long pieces remain a completely bonkers display of the madness Brunch Groupe was putting out before closing up shop.
Favorite track: Untitled (A)
Andrew Anderson – Post Mediated Intent 1 (Misanthropic Smile)
I was going through the used section at Amoeba when I saw this. It was odd, I had discovered Andrew’s music earlier this year, but didn’t know this release existed. It was tagged at the criminally-low price of 2.99, so picking it up was a no-brainer.
Favorite track: Over Black Shores
Dante Mars Ajeto – Celebrating Digital Artifacts (Bedlam)
Not only did I miss the 1st pressing of this album, I also missed the reissue. Fortunately, I was able to obtain one recently. Fans of this album already know why it makes the list, as it’s one of the finer examples of contemporary electronic music.
Favorite track: B1 Never_Wanted.mp3
The Kinks – Live at Kelvin Hall (Reprise)
One of my favorite things about this tape is that the sound quality is absolute shit. It doesn’t sound worn out, but rather like the lowest quality tape available was used. Considering the supreme, epic performance captured here, a great juxtaposition is created. The paper labels are peeling, the case is cracked, it’s a mess.
The Kinks are great at coming up with completely different live arrangement for their tracks without losing the magic of the studio cuts.
Favorite track: Till the End of the Day
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]]>Read more "2016 in Review // 20 Most Interesting Records by Lightning Pill"
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]]>Back when I used to read reviews, one of the things I would always look for are the best and worst albums of the year. Actually, I’d only look for the best albums of the year that included by favorite genres, and also look at what they called the worst of that time. It filled me with glee to see people praise and rip certain albums in equal measure! Nowadays, I just don’t feel that same love anymore.
I truly believe that best and worst albums of the year lists are pretty passé, since people are unlikely to want to listen to your opinions anyway. After all, the idea of which album is the best and worst is wholly subjective nowadays, right? So, for my list, I compiled what I call the most interesting albums of the year. These are the albums that managed to catch my attention due to the concepts, the execution, or just the sheer awesomeness of it all. If I don’t mention your name, trust when I say your album is interesting. These are just ones SO interesting that I could actually remember it as I’m writing this list.
So Nice Yesterday – Best Party Ever
Berko Lover and Thom Castles get together for what seems like the ultimate party album. In each room, they both crush on the nearest and most willing woman in the room, drink too much tequila that costs way too much, and is all too happy to sing out of key with joy. The genius that lies in this album has been that Best Party Ever was not content on merely being an album that you can play at a party somewhere, the album is the party. It’s an imaginary party where nothing can possibly go wrong, and if it did, it didn’t involve them, and be it someone introverted or extroverted, you are invited to it!
Imani Coppola – Hypocrites
I meant to write a blog about this for Afropunk, but one doesn’t just write an Imani Coppola album without further emphasizing her ability to write the most biting songs about not only her life but the people around her. If Hypocrites prove anything, it’s that Imani Coppola is pop music’s Wanda Sykes. Tackling topics from her horrible experiences with Tinder, American obsession with cats and cat memes, the ins and outs of living in New York and uncertainty over her future as an artist, Hypocrites may as well be both an answer to her last album The Glass Wall, and a conversational answer to Tim Fite’s iBEENHacked, for with this album Imani still has the ability to write catchy pop songs, make us laugh, and so much more. Now…if only more people were to get some eyes upon her work…that would be great.
JPEGMAFIA – Black Ben Carson
I have written this many times, but this bears repeating. When I interviewed JPEGMAFIA, one of the lines REALLY stuck with me. And that line was that JPEGMAFIA was a part of the military, went all around the world, and he found out that the thread in all of the places he went to was that people were happy that they weren’t black. It’s not just an American thing; it’s worldwide. So, I can only imagine that this everything kept Peggy’s fire burning bright during the recording of this album.
Like The 2nd Amendment after it, JPEGMAFIA happily plays the intelligent ratchet that will debate you on black rights, and shoot you if you were to EVER use being a Trump supporter as a means to trigger his emotions. In the same album, he tackles sexual superiority (“Cuckold”), white superiority, when it comes to wrongdoing (“Black Steve Austin”), and he is probably one of the few rappers looking to unseat Drake by calling him out by name (“Drake Era”. This isn’t the last time he does it, BTW.). Oh, and he takes time to serve Death Grips (“I Smell Crack”). Separate by two sides (“NIGGER” and “PEGGY”), what makes this album work is Peggy’s awareness that being a dark skinned male, he is simultaneously one of the most feared and the most desired people in America. That’s being black in a nutshell: your parents tell you to stay away from them because they are dangerous and ghetto, but there is always something that attracts you to ghetto people. So, Black Ben Carson finds him using that role to scare any racist that dare spraypaint his place with a swastika.
Danny Brown – Atrocity Exhibition
You know one of those albums that make you worry about someone’s health, physically, mentally, emotionally and whatnot? That’s Atrocity Exhibition. Named after a Joy Division song, Danny Brown uses this album to perfectly follow up Old, an album that shows his street side and his party side, leading the way for Atrocity Exhibition to be the aftermath album.
“Downward Spiral” details a surreal night out where Danny’s paranoia kicks in, his lack of sleep triggers it, and his ability to keep it up falters. “Downward Spiral” is the sound of Danny at a low, and the rest of the album is the sound of him dealing, be it through recounting tales of murder (“Tell Me What I Don’t Know”), smoking for a sense of calm (“Get Hi”), and his inability to ever face his demons without laughing at it (“Ain’t it Funny”). The album is so Danny Brown that Passion of the Weiss once quipped that Atrocity Exhibition is the best “Post-Punk album of the 21st Century”. It’s certainly one of Danny’s most vulnerable and most forward-thinking albums.
Dijah SB – Manic Luxury
Dijah SB is one of the two artists on here whose two projects released within the year unintentionally tell a story. With the focus being on Dijah’s anxiety and depression, DijahSB released Blue to further open up about her problems, but Manic Luxury not only further opens up emotionally and colors in what it is like to have her mentality, but the album uses the two closing tracks to ensure that she’s on her way to recovery. Whether or not she makes it permanently has yet to be seen, but Manic Luxury and Blue tell a story so naked that it outshines all other vulnerable albums with even three times the attention that she gets.
Moor Mother – Fetish Bones
Uneasy times call for uneasy art. Moor Mother’s first album with Don Giovanni uses electronica, hip-hop and noise as a means to look back at past injustices, so they can bring it directly back to the injustices of now, which includes cultural appropriation, the demonization of black women being compared to the same act of before, and many other topics. If black people had their own chance at a postmodern punk album, Moor Mother has created it.
Ed Balloon – Yellow 20-Somethings
Ever since artists like Miguel, The Weeknd and FKA twigs crashed onto the scene, everybody on the scene of Alternative R&B are trying to find creative ways to give R&B a fresh coat of paint. Some even try to figure out a way to mix R&B and indie pop. Meanwhile, while some stay content with cheating off of all three aforementioned artist’s homework, artists like Ed Balloon manages to create a mixture of indie pop and R&B so effortless, it’s almost like on the surface, you are merely listening to life. A good example of this is the funky celebration of his blackness “Bounce Back” and the moody “Power”.
Chino Amobi – Airport Music for Black Folk
With this album, Chino Amobi managed to answer the question that I never thought we would ever get the answers to: what would noise/industrial sound like, if it came from a hood perspective? We all know noise is simply the sound of an internal scream, a discomfort that even punk can’t touch. But Airport Music for Black Folk smirks with the title and sneers with the composition. This album is nihilism from a black standpoint. Guns shoot, what soun ds calming to most is dread to others (“London II”) and mantras are repeated out of the need to rescue one’s sanity (“Rotterdam”). Chino Amobi managed to create an electronic album that is more about memories, experience and true discomfort than it is about the need to move anything in a club.
Lana Del Rabies – In the End I Am a Beast
The interesting part about this album is definitely both the message and the execution, as every scream of static tries it’s hardest to drown out Lana. And throughout the album, it’s almost as if the only time she gets to be clear is with a song that sounds like defeat. I Am a Beast is this year’s most feminist record because it highlights one’s anger and inability to fight against a tide looking to roll her over and other types.
Clipping – Splendor and Misery
When people saw the storyline before they heard the record, the idea of an afrofuturist rap opera about escaping a slave revival into the great unknown with a spaceship falling in love with the refugee would be…farfetched. But somehow, clipping is able to pull off not only that, but also do it less than 40 minutes. Regardless of their ability to use space noises, they can still craft an intriguing space opera.
Treehouse Arcade – Under Grandma’s Orange Tree
It seems one of the growing trends I noticed in hip-hop is mostly minute-long freestyles and ten-minute mixtapes, and the best thing about Under Grandma’s Orange Tree is that him collaborating with local producer Treehouse Arcade makes for a really intriguing mixtape. With jazz chords and memories turned into rhymes, UGOT is built like a childhood memory that you never knew you had, and ends with the promise to protect the orange tree he has always grew up loving. It may only be a few seconds shy of ten minutes long, but the mixtape is all you need for the time being.
Devilgod – Snuff Films
Originally an indigo rapper, the best things that may have happened to Devilgod was the moment he lost his confidence, and gained a new persona in the process. The LSD-addled, heavily-tatted goth-rapper uses Snuff Films as one of the albums where he faces all of his feelings, his demons and his dissatisfaction with the mainstream obsession over stupid things, such as earthly pleasures. If Snuff Films proves anything, it’s that even when Devilgod has lost all hope, it isn’t so barren that he isn’t willing to vomit his message, in his moment of anonymity.
Tachyon Ghetto Blaster – Heaven on Earth
It was only a matter of time before afrofuturist rapper Orko Eloheim (fka Orko the Sykotic Alien) makes his way back to the public eye to spit his loogie into the eyes of Corporate America. With his comrade Kaigen (headhoncho of Fake Four Japan), they take on fututristic soundscapes (some of which border on dubstep to go from cursing out Obama to metaphysical concepts. Though, if you have trouble understanding Kaigen’s Japanese, you’ll have to cop the physical copy for the lyrics.
Hareld – New Age Baby Faced Wisdom
Another Deathbomb Arc album, Hareld’s debut album is one made up of concepts as cloudy as the album. Listening to the album is almost like surfing through hareld’s psyche, where nothing is ever really quite straight and the whole album is him looking to make the best he can of his thoughts and find some kind of clarity within the beautifully—orchestrated clutter.
VRGO – Thoughts / Filth
This is being placed as a twofer only because ofhow well one follows the narrative of the others. Thoughts is basically an album about VRGO processing a nasty breakup, while dealing with other outside inconvenience. It seemed only natural that after such a thing, the need to simply want to fuck around and cuff would follow, right? Enter Filth, where he has openly said that he no longer falls for the love shit. The loose concept of both comes directly near the end, which I will not give away. But let’s just say that if you are knowledgeable about post-relationship unhappiness at all, the need to sleep away a breakup doesn’t always last for too long.
AJ Suede – Dark of the Covenant
For those who have been following AJ Suede since the beginning, you’ll understand he is a cantankerous dude with an avid appreciation for quality hip-hop, reading and spirituality. Since the weeded out yet depressed Name Brand Water, it seemed like Suede has been cycling his way through hell, be it of the making of the world he was in or of his own. After all that, Dark of the Covenant feels like a victory for him. You find him giving thanks, walking on air, yet he is still not above hitting you with the “Hyper Beam”. The only thing that has happened with Dark of the Covenant is merely that Suede is celebrating his hard-won victory.
Abdu Ali – Mongo
Those who have been on Abdu Ali’s twitter knows that Abdu is not with the fuckshit. As an openly queer black male, he wholly embraces his African roots, embraces his femininity, and seeks to confront the system that seeks to think that his kind can’t do anything for America. That’s Mongo in a nutshell, as he comes out of depression from not being recognized by the larger media, he does it with the intent to uplift all of those downtrodden and pushed to the side like he was.
K1Ng ELJAY – CLVRFLD
Wrapped around the concept of K1NG ELJAY trying to see a therapist that has never quite made his way to see him, CLVRFLD is ELJAY tackling all of his inner anxieties over some really interesting beats. CLVERFLD is what he calls his inner demon that tries to stop him from believing in himself, and the album is dope, as far as the production goes.
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]]>Read more "100 Great Music Singles From Boston and New England of 2016 – 1-10"
The post 100 Great Music Singles From Boston and New England of 2016 – 1-10 appeared first on I Heart Noise.
]]>Sometimes we all need to face the snake that was abandoned for far too long on the subway tracks
Cody Mallet & The Austin Powers – To the BBC
Even better than the real thing (with apologies to U2)
Walter Sickert & The Army of Broken Toys – Dull Boy
Redrum she wrote, as Mummy and Daddy’s screams were drowned out by the clacking of typewriter keys
Happy Little Clouds – Beneath
Raunchy grooves and bastard blues buried beneath the killer guitar licks
Lady Pills – Secondhand Trash
This is how it ends
Empty Vessels – Two Skeletons
Another (and no less morbid) way to end it
Earth Heart – Demons
A dream of being possessed by something giant and sweaty
Krem ôn’ Wo͝ol – Milk Wraith
Dark and long train (with apologies to Underworld) carrying fragments of chaos to nowhere
Ryan Huber – Etonian
Clickety clack typewriter rhythms doing their wonderful song and dance
Tin Flowers – Searchers
Joy Division dancing to the happy beat
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]]>Read more "Recent IHRTN Posts Roundup"
The post Recent IHRTN Posts Roundup appeared first on I Heart Noise.
]]>50FootWave – Bath White EP Stream
Review – Bracken – High Passes
New Music Roundup – June 9, 2016
Guest Mix – Hologram Teen
Guest Mix – Ghosts of Sailors at Sea
Mixtape – British Post Rock
Sounding Off – Yuzima on Living off the Land EP
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]]>Read more "Flashback – Tweets from May 2015"
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]]>Big Business + Fashion Week on Solar Flare Records (1,120 views)
Max Headroom Pirating Accident (717 views)
Digital Tribute to Stooges (1,160 views)
Tom Waits Influence on Death Metal (150 views)
Dinosaur Jr – In a Jar (145 views)
Sinister Musings of Mark E. Smith (122 views)
Soft Moon – Circles (112 views)
Slayer at 33 RPM (100 views)
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]]>Read more "Top IHRTN Tweets – May 2016 (Pt 2)"
The post Top IHRTN Tweets – May 2016 (Pt 2) appeared first on I Heart Noise.
]]>Singles Program From Adult Swim (4,570 views)
RidingEasy Records Potcast #5 (3,900 views)
Photos From the First I Heart Noise Showcase! (3,700 views)
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]]>Read more "International Friendship Series – Australia"
The post International Friendship Series – Australia appeared first on I Heart Noise.
]]>Guest Mix by Evol Kween
Glorious Din From Down Under
Sonic Guide to Australia – Clann Zu + My Disco
Noise Night at Sydney Opera House (Occasional Archivist)
My Disco’s Favorite Australian Artists (The Quietus)
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]]>