By all accounts, New York in the late 70s-early 80s was probably one of the least safest places in the world for one to be in. Gang wars and general sense of unease/danger that threatened to tear the city apart, yet it also led to lower prices on lofts and studios, which allowed artists of all kinds to move into the city.
Inspired by the likes of Suicide and, as well as growing punk movement, musicians such as James Chance, Lydia Lunch, Glenn Branca and Arto Lindsay started presenting the world its combination of punk/ethos of bands like Ramones and noise and confrontational art of Suicide.
The fact that only 4 bands were included left many disappointed – despite Eno best intentions, it also felt that many bands were inappropriately left out for one reason or the other.
“No Wave”, written by Thurston Moore (member of Sonic Youth, who, while not mentioned in the book, were also heavily involved in NY downtown music/art scene) and journalist Byron Coley seem to fill some offer a bigger picture of the scene than Eno’s compilation originally did.
The book includes more than 150 great black and white photos of members of New York music/art community, as well as interviews with the likes of China Burg (Mars), Lydia Lunch (8 Eyed Spy, Teenage Jesus & The Jerks, Beirut Slump), Arto Lindsay (DNA, Lounge Lizards, Golden Palominos, Locus Solus) and Robin Crutchfield (Dark Day, DNA), among many others.
Further Reading / Links:
Amazon
Litmob – Interview with Thurston Moore
PrefixMag Review
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